Miniature Games

By Kreighton Long

During the 1930s, the Soviet Union began developing a camouflage pattern for use by scouts, engineers, and snipers.  The amoeba camouflage pattern, officially known as makirovochnyi kamuflirovannyi kostium or MKK, was produced and utilized throughout World War Two.  The amoeba pattern was produced in summer/spring green and autumn/winter brown versions.  I decided to paint my Soviet Scouts in the green version to better match my current terrain collection.  The paints I used are Vallejo’s Russian Uniform (924), Black (950), Chocolate Brown (872), and Buff (976).

Today we have Michael Riddick, a good friend of NDNG, who talks about his game Magnum Opus which users in a new way to play ancients miniatures. Even if you do not play this period, you will love Mike’s approach to gaming and writing rules. Find out more in Instagram by looking up magnum_opus_wargaming

Royal Canadian Dragoons photos

In my previous article WWIII Team Yankee – NATO Forces Book – The Canadians – No Dice No Glory  I discussed the new lists for Canadians in Team Yankee. The possibilities for Canadians in Team Yankee are now so exciting that many people are considering doing up a Canadian army. Battlefront has done a good job of showing Canadian camouflage patterns, but not such a good job of getting the colours right and some different ways of painting vehicles.

I realize that Battlefront wanted to come up with a common camouflage pattern for Canadian vehicles, but it’s not that easy. During the Cold War and beyond, Canadian vehicles had different paint schemes depending on the vehicle and when it was in service. The options were German Gelboliv, Canadian three-colour, NATO three-colour, or plain NATO green.  I will discuss my recipes and recommendations for the different colours from the late 1970s onwards. Then I will discuss which colours and patterns to use on each individual vehicle.

By Mitch Reed

I have been hiding a secret from many of you, over the last three years I have not been painting. I have mentioned this on podcasts numerous times and if you ran into me at an LGS or a convention, I probably told you bluntly, “I have not painted in years.” I have no idea what caused this, perhaps from playing too many board games? Could it be that I have all the painted models I need to play the games I love?

No matter the cause, the passion was gone, however recently my passion returned, and the flame was relit.

By Kreighton Long

On October 7 I had the opportunity to compete in the Bolt Action tournament at the Call to Arms convention in Williamsburg, Virginia put together by veteran Tournament Organizer Kalissa Skibicki.  Eight players competed throughout the day in three rounds of games using the Heartbreak Ridge, No Man’s Land, and Key Positions scenarios.

As always, the tables were a true treat to play on, drawing in many passersby, and creating gorgeous photo opportunities.  The atmosphere was relaxed and friendly. Kalissa’s tournament highlights echoed this remarking on the friendly and good nature of all players, an overall feeling of relaxation, and overhearing several suggestions between players giving opponents better cover advantages and better placement of objectives.

In 2020 a group of veteran game designers kicked off the initial Zenobia contest. This is a competition that mentors historical game designers who are underrepresented within the gaming community. Contestants will have a chance to state why they feel that their community needs a voice within the design space.

The contest had over 150 entries and culminated 11 months later with eight semi-finalists and selected Tyranny of Blood as the initial winner of the contest. The Zenobia II contest is now live, and designers have until 14 October to enter a design proposal. This year’s contest opens the gaming aperture with the inclusion of miniatures game designs.